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Coming Soon...
South korea - Directing a performance & conducting a workshop - Auguast & September 2008
Iran - Tehran - Suddaliaydi (A collaboration with Indian traditional dancers) July 2008
unfortunately, I should inform to"Oriantheatre"`s audiences that "Suddalaiyadi" could not take permission to perform in Iran. |
Poland (Making a physical performance in collaboration with polish performers) End of summer 2008
France - paris - collaboration project on Antonin Artuad`s poems. 2008 - 2009
News
Presentation of a new solo performance production called "Beckett" directed by Mehdi Farajpour has done on 20 September 2008 in South Korea. The next plans of the play for representation will be annonced on the top of this webpage in the close future.
Public Invitation
Hereby, the “Orian Theatre – Performing Art`s Group” which consists of some young artists in Experimental performance fields, would like to invite all performing artists from all over the world to be as a related member of our group for new collaborations.
The “Orian Theatre – Performance Arts Group” has Focused on Dance-Theatre, Contemporary dance, Butoh, Performance art, Hatha yoga and Mime.
We firmly believe that body could not lie because of its natural emotions.
For more information please see My group section on
www.Oriantheatre.com
Or mail to:
contact@Oriantheatre.com
Manager
Mehdi Farajpour
For me the climax of a acting is the time when a performer dances his/her role. This book aims to help performers to obtain a good concentrative boly in order to approach a high level in corporal and mental consciousness on the stage. But it doesn't mean this book only addresses the dancers.
This book`s addresses are all artists who are connected to performing arts in a way. But somebodies
who are more familiar with the definations of movement in the performing arts branchs, perhaps could make more connection to this book.
where and when does movement start in theater? I say from winking, sitting and even consciously breathing. for this defination, there is no need to do some extraordinary movements on the stage. walking, sitting and lying down are the sort of movement which could be done in a dancing mode.
We should not forget that dance is not always some regular movements but it could also be irregular.
According to sonia moor : " Actors's control over his body should be as much as a dancer's control over their body."
Therefore my goal for determining and defining movement is for reaching a good level of understanding in physical and mental consciousness in order to control moving with out order. and on the other hand, being conscious for the slightest movements for precisely playing on the stage and reducing irregular movements. I firmly believe that this order and precise showing of the body could be reached by Yoga.
Introduction of " Monk performer " by Mehdi Farajpour
